The focus is primarily on Shinji now, as he learns to accept the individual’s ability to shape their world, and how the self cannot exist without others to define it.1. Upcoming Episodes.Instrumentality continues. 2 New Hellraiser Star Reacts to Taking Over as Pinhead. New Evangelion Film Is The Most Successful Hideaki Anno Film Of All Time. Neon Genesis Evangelion episode 10 Animanga: transcript in html format: imdb info video, books: Neon Genesis Evangelion episode 11 Animanga: transcript in html format: imdb info video, books: Neon Genesis Evangelion episode 12 Animanga: transcript in html format: imdb info video, books: Neon Genesis Evangelion episode 13 Animanga: transcript in.

Hovever, he feels that this fear is not present in him, as he thinks that he might not need to exist, because he feels unwanted and useless. Shinji is confronted with the fear of ceasing to exist. Christ intended to cast scorn upon the Law, for the lepers were healed apart from the. Space suits are not bodysuits, because they are not tight, but one-piece wetsuits or swimwear are.Similarly, when Jesus healed the ten lepers (Evangelion 17.1119). The most famous anime bodysuits are doubtlessly the Evangelion plugsuits. 14, male, bloodtype: A, 4.03 (191), adolescent An adolescent (teenager) is 13 to 19 years old., bodysuit A bodysuit is a one-piece outfit that fits the body tightly.

Humans cannot live alone, but yet they are separate entities: thus conflict and pain are created. It is why Instrumentality is taking place. In fact, she and other characters confirm that it's true for all humanity, this weakness. Shinji replies that Misato does the same thing, and she agrees. Failure to be loved, and of seeing how weak he trully is.

Ryoji Kaji's voice asks: 'Do you hate feeling lonely? Do you hate suffering?' Shinji does. But Shinji is unsure of all these things. Misato only wants to do what she enjoys. 'Really?' asks the text.The questions, posed by Rei Ayanami: What are you alive for? Who are you living for? Are you happy being alive? Asuka Langley Soryu thinks it is for herself, and says that she is happy.

He's afraid of being hurt, but the other characters tell him that he’s not the only one who feels pain. Yet also, if he does what others tell him to do, then they won't forsake him. And if he runs, the others will forsake him. It's wrong, even when the others say that he can run away if he wants to. Misato answers in affirmative, asking what is wrong with running away from pain.Shinji says 'I mustn't run away!', being asked why, as he replies that it is because running away hurts just as much as what he ran away from.

But Shinji still believes that he has nothing.Various images of nature are shown, and the characters discuss their feelings related to them. The others warn him that with this, he will lose his own identity. But again, it is Shinji’s self-deception, both the hatred and his sole value being related to the Eva. Even so, they like him when he pilots. Then, Shinji holds the telephone receiver, and through it, he hears the other characters saying they hate him.

Shinji is still confused, he protests that no one understands him. He knows that what he feels to be himself, is himself, but that's not good enough. Shinji can't understand where he exists, and asks if he is just the sum of items and symbols that others recognize as himself. Shinji also wants to be worth something, so no one will abandon him.Yui Ikari tells her son that only he can find his worth.

With this Shinji loses the ability to fly, and has thereby sacrificed some of his perfect freedom, but in return, he feels more secure as he has something to walk on. Gendo Ikari steps in and says he will give him a restriction: he draws a horizontal line across the void that defines a separation between ground and sky. But perfect freedom is perfect nothingness, as there is nothing to hold on to, nothing to orient himself in. He interprets this as a world of nothing, but his own voice comes back and says that it's a world of perfect freedom. Only his heart and mind can truly change his world.Then the construction of the place changes to a white void, where Shinji exists as a drifting pencil sketch. Again, he doesn't comprehend the meaning of that.The others say that if Shinji depends on outward things to define himself, all these things will eventually change and disappear, as time passes.

Shinji knows who he is, but other people must be there shaping his mind as well in order to form a complete self. Shinji, in this white world, feels that he is disappearing, and it is because he can’t know his own shape without other things to compare with, and there is nothing else there. Yet this must also be in the presence of others.

As a bookend with Episode 01's opening caption of 'In the year 2015 AD', this episode opens with the caption 'In the year 2016 AD'. He is wished 'Congratulations!' by the human cast (and a squawking Pen Pen), and smiles, thanking everyone. The dark world shatters, and Shinji is left standing atop a coral reef under a sunny sky, surrounded by most of the other characters. Shinji himself is drastically changed into a more typical teenage boy, confident and lecherous, while Asuka is his oldest childhood friend, and Rei is a transfer student, presented as a perky, ditzy schoolgirl.After seeing this, Shinji realizes that there are alternate possibilities to himself, and decides that he can learn to love himself, and he wants to be 'me' and to stay 'here'.

Both meanings are appropriate to the episode, but the Harlan Ellison title is considered the correct one. The Japanese word ai (love), could also be interpreted as representing the English 'I'. ↑ The title The Beast that Shouted Love at the Heart of the World comes from a collection of short stories by American author Harlan Ellison.

↑ Shinji's 'Thank you to my father' could be seen as a response to Gendo's 'I'm sorry, Shinji.' in The End of Evangelion. 'I’m always ready, dear.') Most noticeable is the complete changing of Gendo’s neutral dialogue with Yui to an involved conversation with some innuendo. ↑ The English-dubbed version of an alternate reality also changed some of the dialogue or added lines to make it raunchier.

TV episode 26, page 62 of 67, cut 315.'The End of Evangelion: Episode 25' | Episode 26' ↑ e: It's the after recording script on volume 7 of the Japanese R2 DVD release.

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